Because you know what it’s not? Live action drama. Working on a drama 363 days a year really makes us appreciate animation. Okay, fine, we can talk about cartoons if you like. And that’s not even touching on the cartoons. Everyone always talks about those, and it’s hard to say anything that hasn’t been said before and said better. Not to talk about the total game changer that was The Sopranos, or The Wire’s dead eye and ear for every layer of Baltimore’s dysfunctional society, or Deadwood’s brilliant recreation of the true West, or the way Seinfeld both encapsulated and swallowed a culture, or Cheers or The X-Files or I Love Lucy or The Honeymooners or any of those. Man, it’d be great to say something original here. So, the conversation about the greatest TV series ever made. Weiss: First of all: thank you! We hope many are right, but we have to recuse ourselves from that conversation. What in your minds is the greatest ever TV series?ĭavid Benioff & D.B. Many feel when you finish, Game of Thrones will fare favorably in the conversation about the most ambitious TV series ever made. What do you think folks? Have you been bothered by the new travel rules of Game of Thrones, or are they forgivable inconsistencies given the story that’s being told? Sound off in the comments below links to our most recent coverage.Jesse Collins Entertainment To Produce 75th Emmy AwardsĮarly on, you described your ambition for Game of Thrones as The Sopranos meets The Lord of the Rings and spent years regretting that you had invoked that watershed series and film trilogy. To be fair a lot of moving pieces need to fall into place as the show winds down, and six hours isn’t a lot of time so expediting the story is understandable, it’s just strikingly noticeable in the face of the six previous seasons. Weiss have already completed scripts for next season, but they’ve also now seen some of the criticism from fans. It’ll be interesting to see if this “fast travel” storytelling mode continues in the show’s eighth and final season next year. So I think we were straining plausibility a little bit, but I hope the story’s momentum carries over some of that stuff.” They seemed to be very concerned about how fast a raven can fly but there’s a thing called plausible impossibilities, which is what you try to achieve, rather than impossible plausibilities. I think that worked for some people, for other people it didn’t. I think there was some effort to fudge the timeline a little bit by not declaring exactly how long we were there. We tried to hedge it a little bit with the eternal twilight up there north of The Wall. We’ve got Gendry running back, ravens flying a certain distance, dragons having to fly back a certain distance…In terms of the emotional experience, sort of spent one dark night on the island in terms of storytelling moments. “We were aware that timing was getting a little hazy. For Season 7, however, there’s been a noticeable fast-forward button pressed on traveling in order to expedite the storytelling, but it appears it hit an apex in “Beyond the Wall.”ĭirector Alan Taylor, who helmed early episodes of Game of Thrones before directing films like Thor: The Dark World and Terminator Genisys, returned to the series to direct “Beyond the Wall”, and in an interview with Variety he’s responded to the timeline kerfuffle: The episode itself is intentionally ambiguous as to how much time passes between Gendry being sent off and Dany arriving, but it seems like it’s about a day and a half.Īll things considered this would be fine, but throughout its first few seasons, Game of Thrones would spend an entire 10 episodes showing a character moving from Point A to Point B, which established that in Westeros, it takes a long time to travel places (remember Jaime and Brienne's adventures?). But he somehow makes it back to Eastwatch, sends a raven, that raven reaches Dragonstone, and Dany responds in enough time to save Jon and the group from their pickle. Now, when Gendry is sent back, Jon and the group have already been traveling for a long, long time. The biggest example here is when Gendry is sent running back to Eastwatch to send a raven to Danaerys that Jon Snow and the group are in trouble and need help. The episode depicted a much anticipated battle between a ragtag group of Thrones regulars and the Night King’s wight army, but as the episode wore on, the timeline of exactly what was happening where became a little, well, convenient. The penultimate episode of Game of Thrones’ penultimate season, “Beyond the Wall,” came with a serious degree of anticipation, but by the episode’s end quite a few fans were frustrated.
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